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In "The Chessfield" we observe a game of chess in the process of being played. The human chess players, who in the beginning are able to control their robot-like chess figures, suddenly discover they have lost control; the chess figures have become "alive".
"The Chessfield" explores the relationship between
those at the top and those at the bottom echelons of asociety. Inevitably, the strict logic of leadership and oppression expressed by the king characters falters, leading the pawns to develop plans for a strike and a union of black and white pawns. This strike, and its union of class interests, attempts to overthrow the government. In the truest sense of "revolution" - the violent overthrow of power and property on the basis of an "idea" - a conflict is set in motion. But the pawns, having not experienced the operation of a societal code and the classifications of responsibility within it, loose control and the scenario devolves into chaos. In what begins as a comical twist, the four rooks pass the time playing with a ball, which becomes a deadly weapon. The chessboard becomes a battlefield in which societal agreements evaporate, leaving all the participants to survive as they can. Many do not.

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